Objective. Students apply iron-on veneer edge tape to all exposed plywood edges of a cabinet box and sand all surfaces to 150-grit so that no tape seams, glue squeeze-out, or sanding swirls are visible under a raking light.
Plywood cabinet boxes expose raw, layered edges wherever a panel is cut. Those edges absorb finish unevenly, look unfinished, and can splinter under normal use. Iron-on veneer edge tape — a thin strip of real wood veneer with a heat-activated glue on its back — solves all three problems at once. When applied, trimmed, and sanded correctly, the edge is indistinguishable from solid wood at normal viewing distance. Because this lesson culminates in a raking-light inspection, you must execute each step carefully. There is no shortcut that fools a raking light.
Iron-on edge banding comes on rolls, typically in birch and other common veneer species. The glue is pre-applied to the back; a household iron activates it. Buy tape slightly wider than your panel thickness — for 3/4-inch plywood, use 13/16-inch or 7/8-inch tape so you have a small overhang on each face to trim flush.
Household iron — set to a medium-high cotton or linen setting, without steam. Too cool and the glue will not bond; too hot and the veneer scorches. Test temperature on scrap first.
Edge-banding hand trimmer — a two-bladed plastic tool that rides the panel face and shaves both overhanging edges in one pass. It is the fastest, safest way to trim and leaves a clean, square edge.
Random-orbital sander — the random orbit pattern prevents the straight sanding swirls that show up under raking light. You will use 120-grit first to level any small ridges at the tape joint, then 150-grit to produce a surface ready for finish.
Wood filler / putty — fills voids, torn grain, and dents. Apply with a putty knife, allow to dry completely, and sand flush.
1. Cut a strip of edge banding about one inch longer than the edge you are covering.
2. Align it centered on the edge so the overhang is even on both faces.
3. With one hand holding the tape in position, run the iron slowly along the tape — roughly two to three seconds per inch. You are melting and pressing the glue simultaneously. Follow immediately with firm hand pressure or a roller to ensure full contact while the glue is still warm.
4. Work one edge at a time. Let each edge cool for at least 60 seconds before trimming.
Common errors: Moving the iron too fast (cold bond, tape lifts), moving it too slow (scorch marks), or skipping the hand-pressure step (bubbles and low spots).
Once the tape is cool, place the edge-banding hand trimmer over the edge so both blades rest on the panel faces. Pull the trimmer along the edge in one smooth stroke. On shorter edges you may trim in a single pass; on longer edges overlap passes slightly. Inspect: the tape face should be perfectly flush with the panel face. If a small ridge remains, a light pass with 120-grit on the sander will level it.
For corners and inside joints, use a sharp chisel or utility knife to trim the tape ends flush before the adjacent edge is taped.
Sanding sequence: 120-grit first, 150-grit second. The 120-grit removes any tape edge ridge, dried squeeze-out, or mill marks. The 150-grit removes the 120-grit scratches and leaves the surface ready for primer or finish.
Keep the sander moving at all times. Dwelling in one spot creates a low spot or swirl pattern visible under raking light. Sand with the disc speed and pressure consistent — let the abrasive do the work. After each grit, wipe all dust with a tack cloth before moving to the next grit.
After sanding to 120-grit, hold a shop light at a low, raking angle across each panel. This is exactly what your instructor will do at inspection. Mark any tearout, void, dent, or low spot with a pencil. Apply wood filler with a putty knife — slightly overfill because filler shrinks as it dries. Allow it to dry fully per the manufacturer's guidance, then re-sand to 150-grit. Wipe with a tack cloth. The panel is now ready for inspection.
A raking light (flashlight or shop light held almost parallel to the surface) exposes every ridge, hollow, swirl, and seam that direct lighting hides. Cabinetmakers use it because finishes and paint amplify surface defects rather than hiding them. If it looks good under a raking light at this stage, it will look good finished.
Answer each question, then check it. Nothing is recorded; this is your own practice.
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