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newSchoolWorks.com › VoTechWorks › Health & Personal Services › Funeral Service / Mortuary Science › Restorative Art for Funeral Service › Lesson 2
HLT-FUNE76-03 · Lesson 2 · 24 clock hours · theory

Anatomy Review for Restoration: Surface Landmarks and Facial Structure

Objective. Students will identify and label the bony landmarks, muscle groups, and surface contours of the face and hands that guide restorative modeling.

⚠ Pending professional review

This lesson, its worked examples and its practice questions has not yet been verified by a licensed clinician in the field or by a certification or approval body. It is a study draft and may contain errors. Do not use it to make decisions about any patient or medication. Always follow your instructor, your supervising professional, and current official references and regulations.

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Why Anatomy Matters in Restorative Art

Restorative art is the craft of returning a deceased person's appearance as close as possible to the way family members remember them. Every decision a restorative artist makes—where to build up wax, how deep to press a contour, which angle to hold a needle during feature-setting—depends on a sound mental map of what lies beneath the skin. Without that map, corrections are guesswork. With it, they are informed, repeatable, and respectful of the person's natural form.

This lesson focuses on the bony landmarks, muscle groups, and surface contours of the face and hands that serve as your primary reference points during restoration work.

The Bones of the Face

Six bones and bone groups form the scaffolding you will reference constantly.

Frontal bone. The large, dome-shaped bone of the forehead. Its lower edge forms the supraorbital ridge, the brow prominence that gives the upper face its characteristic masculine or feminine set. Shallow, flat foreheads versus rounded or prominent ones are directly traceable to frontal bone shape. When building up a traumatized forehead with wax or tissue filler, you must restore this curvature accurately or the result will appear flat and artificial.

Nasal bones. Two small rectangular bones that form the upper bridge of the nose. They join the frontal bone at the nasion (the gentle depression at the root of the nose, between the eyes). The nasion depth and the angle at which the nasal bones project forward determine the profile of the nose. Trauma frequently fractures these bones; knowing their normal position helps you re-establish proper projection.

Zygomatic bones (cheekbones). The zygomatic bones create the lateral prominence of the cheek and the floor of the orbit. The zygomatic arch extends posteriorly toward the ear. Cheek projection and the softness or angularity of the mid-face are determined largely by zygomatic width and depth. When emaciation or trauma has collapsed the cheek area, the zygomatic bone is your target landmark for rebuilding the correct contour.

Maxilla. The paired maxillary bones form the upper jaw, the floor of the nose, and much of the hard palate. Their alveolar processes hold the upper teeth. Maxillary position determines lip support: when teeth are absent or the maxilla is depressed, the upper lip collapses inward. Understanding this helps you assess whether cotton or a mouth former will adequately support the lips.

Mandible. The only movable bone of the skull forms the lower jaw and chin. Its angle, the gonial angle, is a major determinant of face shape—square versus tapered. The mental protuberance (chin prominence) is a surface landmark you can palpate directly. Mandibular position affects the closure of the mouth; incorrect setting of the mandible produces an unnatural gape or an overly compressed mouth line.

Orbits. While not a single bone, the bony orbits (formed by contributions from the frontal, zygomatic, maxillary, and other bones) define the depth and placement of the eyes. Orbital rims are palpable landmarks that guide the placement of eye caps.

Major Expression Muscles

Muscles of facial expression lie in layers beneath the skin. Because they insert directly into the skin rather than onto bone, they shape every surface contour you see.

Surface Contours and Palpable Landmarks

Several surface landmarks can be both seen and felt, making them reliable guides during restoration:

The Hands

The hands are frequently visible at viewings. Key landmarks include the metacarpal heads (the knuckles), the interphalangeal joints, and the thenar and hypothenar eminences (the muscular pads at the base of the thumb and little finger, respectively). Skin draping, nail bed color, and natural positioning of the fingers are all guided by knowledge of underlying bone and tendon structure.

Safety and Professional Considerations

Always use standard precautions when working with unembalmed or partially prepared remains—gloves, eye protection, and a gown as required by your program and facility policy. Handle anatomical models hygienically; wipe down surfaces between users. When practicing palpation on models, apply controlled pressure only; excessive force can damage teaching materials. In the preparation room, never apply restoration materials to a case without confirming that embalming and hygienic preparation are complete to the level required by your supervisor and applicable regulations.

Key terms9

NasionThe midline depression at the root of the nose where the nasal bones meet the frontal bone; a primary depth reference for modeling the nose bridge.
Zygomatic boneThe cheekbone; its most projecting point (malar eminence) is a key landmark for determining the correct depth and width of cheek contour restoration.
Malar eminenceThe most anteriorly projecting point of the zygomatic bone; felt as the highest point of the cheek and used to gauge wax buildup depth.
Gonial angleThe posterior-inferior corner of the mandible where the body meets the ramus; determines jaw shape and is palpable just anterior to the earlobe.
Orbicularis orisThe circular muscle surrounding the mouth that shapes the lips and maintains natural lip posture; its position must be respected during mouth closure and lip restoration.
Vermilion borderThe sharply defined edge between the pigmented lip mucosa and the surrounding facial skin; must be reproduced accurately for a lifelike appearance.
PhiltrumThe vertical groove running from the base of the nose to the midpoint of the upper lip; a key surface landmark for centering and shaping the upper lip in restorative work.
Supraorbital ridgeThe bony prominence along the lower edge of the frontal bone above each orbit; contributes to the characteristic brow set of the face and guides forehead contour restoration.
Thenar eminenceThe fleshy muscular pad at the base of the thumb on the palm; an important surface landmark for natural hand posturing at a viewing.
In class: Instructor-led diagrammatic lecture on facial bones (frontal, zygomatic, mandible, nasal, maxilla) and major expression muscles; students label a blank skull diagram. · Partner palpation exercise using anatomical models: one student calls out a landmark, the partner locates it on the model and explains its relevance to wax buildup depth. · Timed flashcard drill using hand-made cards (landmark on one side, restorative significance on the other) until each student achieves 90% accuracy in two consecutive rounds.
Materials: Full-skull and half-face anatomical models; blank facial diagram worksheets; anatomy flashcard sets; whiteboard; markers.
Check: Labeled diagram practical: students receive a blank life-size facial diagram and must correctly label 20 specified landmarks within 15 minutes; pass mark 80% (16/20 correct).

Practice check8

Answer each question, then check it. Nothing is recorded; this is your own practice.

Restorative Art / Mortuary Science
1. Which bone forms the prominent bridge of the nose and is the most commonly fractured facial bone in traumatic injuries?
Restorative Art / Mortuary Science
2. A restorative artist is rebuilding a collapsed cheek following trauma. Which landmark should be used as the primary depth guide to ensure the rebuilt contour matches the opposite side?
Restorative Art / Mortuary Science
3. Which muscle group is responsible for pulling the corners of the mouth upward and laterally, and whose position defines the nasolabial fold?
Restorative Art / Mortuary Science
4. During mouth closure, a funeral service practitioner notes that the lips are gaping. Which bone's position should first be evaluated as a contributing cause?
Restorative Art / Mortuary Science
5. The philtrum is best described as which of the following?
Restorative Art / Mortuary Science
6. When positioning a deceased person's hands for viewing, which surface landmark indicates the base of the thumb and helps guide natural hand posturing?
Restorative Art / Mortuary Science
7. Which of the following facial muscles inserts directly into the skin around the mouth and is primarily responsible for lip shape and posture?
Restorative Art / Mortuary Science
8. A student is reviewing the anatomy of the orbit for eye-cap placement. Which bones contribute to forming the bony orbital rim?
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